Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek made "Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro" available on August 17, 1999. The duration of Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francesco Onofrio Manfredini's "Manfredini: Concerti Grossi Op. 3, Nos. 1-12" album is number 39 out of 42. Based on our statistics, Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro by Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in E Minor, Op. 3, No. 3: III. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F♯ Minor | 2 | 11A | 135 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: VII. Allegro Assai | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Major | 1 | 4B | 82 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Concerto No. 5 in B-Flat Major, SF 944 "La Cetra": II. Larghetto staccato | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D Major | 1 | 10B | 94 BPM | ||
Trio Sonata for 2 Violins and Continuo in G, Op.5, No.4, HWV 399: 3. Passacaille | George Frideric Handel, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | A Major | 2 | 11B | 115 BPM | ||
Sonata for 2 Violins and Basso Continuo: I. Allegro assai | Ignacio Balbi, Florilegium | B Minor | 0 | 10A | 132 BPM | ||
Phaëton, LWV 61: Ritournelle "Le printemps" | Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Major | 4 | 4B | 77 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: I. Allegro assai | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Sonata In D For Violin And Continuo: Allegro - Adagio - Allegro | Johann Georg Pisendel, La Serenissima, Adrian Chandler, violin | D Major | 3 | 10B | 92 BPM | ||
Mystery (Rosary) Sonata No. 15, "The Beatification of the Virgin"*: I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B Major | 0 | 1B | 129 BPM |
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