"Sonata for 2 Violins and Basso Continuo: I. Allegro assai" by Ignacio Balbi, Florilegium was released on January 1, 2007. The duration of Sonata for 2 Violins and Basso Continuo: I. Allegro assai is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Sonata for 2 Violins and Basso Continuo: I. Allegro assai's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 20 in Bolivian Baroque, Vol. 2: Music from the Missions by Florilegium, Arakaendar Bolivia Choir. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Sonata for 2 Violins and Basso Continuo: I. Allegro assai's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata for 2 Violins and Basso Continuo: I. Allegro assai by Ignacio Balbi, Florilegium is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aria malinconica (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro primo, Concerto No. 2 in D Minor: IV. Adagio e staccato | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Stéphanie Pfister, Alain Gervreau | D♭ Minor | 0 | 12A | 95 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 7 in G Major: II. Fuga | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Alain Gervreau | F♯ Major | 3 | 2B | 136 BPM | ||
Sonata for 2 Violins and Basso Continuo: I. Allegro assai | Ignacio Balbi, Florilegium | B Minor | 0 | 10A | 132 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 4: II. Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | B♭ Major | 0 | 6B | 117 BPM | ||
Pars VI In G Minor: VI. Ciacona (Biber) | Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin | F♯ Minor | 1 | 11A | 99 BPM | ||
Concerto in D Minor for Oboe, Strings and Basso continuo: I. Andante e spiccato | Alessandro Marcello, Frans Brüggen, L'arpa Festante | D♭ Minor | 0 | 12A | 115 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM | ||
Concerto in F Major, S. 235: 5. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 120 BPM | ||
Duet for Flute and Violin in G Major, Wq. 140, H. 598: I. Andante | Carl Philipp Emanuel Bach, Florilegium | E♭ Minor | 0 | 2A | 74 BPM |
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