Nicola Matteis, Gli Incogniti, Amandine Beyer's 'Aria malinconica (Adagio)' came out on August 1, 2009. The duration of Aria malinconica (Adagio) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Aria malinconica (Adagio)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nicola Matteis, Gli Incogniti, Amandine Beyer's "Matteis: False Consonances of Melancholy" album is number 7 out of 40. On top of that, France appears to be the country where this track was created. Based on our statistics, Aria malinconica (Adagio)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Aria malinconica (Adagio) by Nicola Matteis, Gli Incogniti, Amandine Beyer to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vitali: Donde avvien che tutt’ebro di vera gioia: Sinfonia | Giovanni Battista Vitali, Il Pomo D'oro | F Major | 2 | 7B | 103 BPM | ||
Sonata in F Major, Op. 1, No. 1: Grave - Allegro - Adagio - Allegro | Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | E Major | 1 | 12B | 71 BPM | ||
Preludio I | Nicola Matteis, Gli Incogniti, Amandine Beyer | A Major | 4 | 11B | 76 BPM | ||
Concerto per due Violini in Do Minore, RV 510: I. Allegro | Antonio Vivaldi, Amandine Beyer, Giuliano Carmignola, Gli Incogniti | D Major | 1 | 10B | 89 BPM | ||
Oboe Quartet in D Minor: I. Poco allegro | Johann Friedrich Fasch, Epoca Barocca | D♭ Minor | 2 | 12A | 101 BPM | ||
A Ground in D Minor for Recorder | Godfrey Finger, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Marq | D Major | 0 | 10B | 102 BPM | ||
Les plaisirs: 2e Entree | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Minor | 1 | 10A | 79 BPM | ||
Concerto a cinque No. 12, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | B Major | 4 | 1B | 80 BPM | ||
Violin Partita No. 2 in D Minor, BWV 1004: II. Corrente | Johann Sebastian Bach, Amandine Beyer | A♭ Minor | 1 | 1A | 68 BPM | ||
Viola da Gamba Suite in D Minor: II. Minuetto | Carl Friedrich Abel, Paolo Pandolfo | E Major | 0 | 12B | 134 BPM |
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