Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon made "Phaëton, LWV 61: Ritournelle "Le printemps"" available on March 27, 2012. With Phaëton, LWV 61: Ritournelle "Le printemps" being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "The Galileo Project: Music of the Spheres". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Canada. Phaëton, LWV 61: Ritournelle "Le printemps" is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Phaëton, LWV 61: Ritournelle "Le printemps" by Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Major, Op. 1, No. 5: III. Largo | Pietro Locatelli, Capella Istropolitana | G Minor | 1 | 6A | 50 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: I. Adagio-Allegro | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Major | 1 | 3B | 95 BPM | ||
Concerto grosso in F Major, Op. 6, No. 9: III. Corrente (Vivace) | Arcangelo Corelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | E♭ Major | 1 | 5B | 91 BPM | ||
Sonata in E Minor: II. Largo | Johann Rosenmüller, London Baroque | E♭ Minor | 2 | 2A | 78 BPM | ||
Trio Sonata in D minor, Op.1 no.2: 1st movement: Grave | Francesco Geminiani, Bell'Arte Antiqua | D♭ Minor | 1 | 12A | 87 BPM | ||
Troisième livre: La Forqueray | Jacques Duphly, Christophe Rousset | E Minor | 5 | 9A | 105 BPM | ||
Concerto No. 1 in D Major: I. Allegro assai | Alessandro Marcello, Simon Standage, Collegium Musicum 90 | D♭ Major | 3 | 3B | 106 BPM | ||
Concerto Decimo Con L'Eco, B Dur: II. Larghetto | Alessandro Marcello, Venice Baroque Orchestra | E Major | 0 | 12B | 85 BPM | ||
Jean-Joseph Mouret: "Entrée" Extrait De La Premiere Suite D'orchestre | Tafelmusik Baroque Orchestra | D♭ Major | 3 | 3B | 151 BPM | ||
Concerto à più instrumenti in D Major, Op. 5, No. 6: I. Allegro | Evaristo Felice Dall'Abaco, Nadja Zwiener, Tuomo Suni, Harry Bicket, The English Concert | D♭ Major | 4 | 3B | 122 BPM |
Section: 0.7382748126983643
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