Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore made "Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso" available on April 26, 2024. The duration of Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Fatma Said, Jakub Józef Orliński, Il Giardino d'Amore's "Gluck: Orfeo ed Euridice, Wq. 30" album is number 26 out of 30. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso by Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 88 BPM | ||
Zaïde, reine de Grenade: Air pour les Turcs en rondeau | Joseph-Nicolas-Pancrace Royer, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Major | 0 | 2B | 141 BPM | ||
Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM | ||
Orpheus And Eurydice: I. Dance Of The Furies | Christoph Willibald Gluck, Robert Haydon Clark, Consort of London | A Minor | 2 | 8A | 147 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): II. Allemanda: Allegro | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 2 | 2A | 114 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 6, HWV 324: II. A tempo giusto | George Frideric Handel, Nils-Erik Sparf, Tullo Galli, Kari Ottesen, Drottningholm Baroque Ensemble, Anders Öhrwall | F♯ Minor | 1 | 11A | 123 BPM | ||
Symphony in A Major, H. 660, Wq. 182/4: II. Largo ed innocentemente | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Mayumi Hirasaki | D♭ Major | 1 | 3B | 140 BPM | ||
Concerto grosso No. 12 in B Minor, Op. 6/12, HWV 330: II. Allegro | George Frideric Handel, Trevor Connah, Raymond Keenlyside, Thurston Dart, Sir Andrew Davis, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 3 | 10A | 116 BPM | ||
Airs for the Autumn: Night Shade: I. Aria: Pastorale vivace | James Oswald, The Broadside Band | D♭ Major | 2 | 3B | 135 BPM |
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