William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts made "Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): II. Allemanda: Allegro" available on January 1, 2007. The duration of Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): II. Allemanda: Allegro is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): II. Allemanda: Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 33 in Corelli, A.: Sonatas, Op. 5, Nos. 7-12 by Arcangelo Corelli, Stefan Temmingh. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): II. Allemanda: Allegro is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): II. Allemanda: Allegro by William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
The music key of this track is E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il trionfo della divina Giustizia ne' tormente e morte di Gesù Cristo: Ouverture | Nicola Porpora, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | D♭ Minor | 2 | 12A | 104 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: IV. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Mischievous Young Princess Lost in the Forest | Valeriy Blagovidov | D♭ Major | 0 | 3B | 100 BPM | ||
Suite in D Major, Op. 2, No. 1: I. Prelude | Jacques Hotteterre, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | C Major | 1 | 8B | 84 BPM | ||
Pyrrhus, Acte III Scène 1: Ritournelle | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Fantasia: Fantasia | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Sinfonia a quattro No. 1 in B-Flat Major, SF C781: III. Gavotta | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 5 | 2B | 142 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 3: III. Presto | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 4, Le je-ne-scay-quoy | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Cello Sonata No. 1 in D Minor: III. Largo | Alessandro Scarlatti, Ophélie Gaillard, Pulcinella Orchestra | A Major | 4 | 11B | 123 BPM |
Section: 0.6153769493103027
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