Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset made "Pyrrhus, Acte III Scène 1: Ritournelle" available on May 5, 2023. With Pyrrhus, Acte III Scène 1: Ritournelle being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 41 in the song's album "Pancrace Royer: Surprising Royer, Orchestral Suites". In this album, this song's track order is #36. Furthermore, we believe that the track originated from France. The popularity of Pyrrhus, Acte III Scène 1: Ritournelle is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Pyrrhus, Acte III Scène 1: Ritournelle by Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Concerto in D Minor, Wq. 23, H. 427: I. Allegro | Carl Philipp Emanuel Bach, Michael Rische, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 2 | 7A | 133 BPM | ||
Concerto in C Minor for Recorder & Strings, RV 441: 1. Allegro non molto | Antonio Vivaldi, Lucie Horsch, Amsterdam Vivaldi Players | F♯ Minor | 0 | 11A | 69 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Couperin, F: L'Art de toucher le clavecin: Premier Prélude | François Couperin, Jean Rondeau | B Major | 1 | 1B | 100 BPM | ||
Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 2 Les Niais de Sologne - Doubles des Niais - Autre Double | Jean-Philippe Rameau, Jean Rondeau | C Major | 5 | 8B | 117 BPM | ||
The Indian Queen, Z. 630, Act 4: They Tell Us That Your Mighty Powers (Arr. for baroque orchestra and saxophone) | Henry Purcell, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner | E Minor | 0 | 9A | 135 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Suite No.2: No. 5, Les tendres sentiments | Joseph-Nicolas, Joseph-Nicolas-Pancrace Royer, Iakovos Pappas | D♭ Minor | 1 | 12A | 182 BPM | ||
Pièces de viole, Livre II No. 40: La polonaise | Marin Marais, Vittorio Ghielmi, Luca Pianca | F Major | 5 | 7B | 107 BPM |
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