Alessandro Scarlatti, Ophélie Gaillard, Pulcinella Orchestra made "Cello Sonata No. 1 in D Minor: III. Largo" available on October 6, 2023. With Cello Sonata No. 1 in D Minor: III. Largo being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Napoli!". In this album, this song's track order is #8. Furthermore, we believe that the track originated from France. Based on our statistics, Cello Sonata No. 1 in D Minor: III. Largo's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Cello Sonata No. 1 in D Minor: III. Largo by Alessandro Scarlatti, Ophélie Gaillard, Pulcinella Orchestra having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Violin and Basso Continuo in G Major, GWV 707: I. Andante | Christoph Graupner, Naomi Dumas, Caitlyn Koester | E♭ Minor | 1 | 2A | 109 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Air gracieux pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 0 | 1A | 133 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 1: I. Allegro | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | D♭ Major | 3 | 3B | 130 BPM | ||
Concerto Grosso in D Minor "La Folia" | Francesco Geminiani, Orchestre De Chambre De Toulouse, Gilles Colliard | B Minor | 2 | 10A | 85 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F♯ Minor | 1 | 11A | 94 BPM | ||
Concerto Grosso No. 6 in D Major (after D. Scarlatti): I. Largo | Charles Avison, I Musici | D Major | 1 | 10B | 95 BPM | ||
Trio Sonata in A, Op.3 No.12: 1st movement: Grave - Allegro - Adagio - | Arcangelo Corelli, Bell'Arte Antiqua | E♭ Major | 2 | 5B | 108 BPM | ||
La fille aux cheveux de lin | Claude Debussy, Ophélie Gaillard, Royal Philharmonic Orchestra, Tim Redmond | G Major | 1 | 9B | 88 BPM | ||
Mystery (Rosary) Sonata: No. 3 in B Minor “The Nativity”: II. Courente - Double | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
Sei Concerti in sette parti: No. 1 in F Minor: IV. Allemanda. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | E Minor | 2 | 9A | 138 BPM |
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