On April 11, 2023, the song "Sei Introduttioni teatrali, Op. 4, No. 1: I. Allegro" was released by Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium. With Sei Introduttioni teatrali, Op. 4, No. 1: I. Allegro being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Pietro Antonio Locatelli: Sei Introduttioni teatrali, Op. 4". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, Sei Introduttioni teatrali, Op. 4, No. 1: I. Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Sei Introduttioni teatrali, Op. 4, No. 1: I. Allegro by Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in G Minor, Op. 1 No. 6, HWV 364a: IV. Allegro | George Frideric Handel, Bojan Čičić, Steven Devine | A♭ Major | 3 | 4B | 122 BPM | ||
Concerto Grosso No. 2 in G Major (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 2 | 3B | 114 BPM | ||
26 Sonatas: No. 9, Violin Sonata in A Major, B.A1 / GT 2.A01: IV. Menuet | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | ||
Mystery (Rosary) Sonata: No. 2 in A Major “The Visitation”: II. Allaman | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: III. Allegretto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Concerto Grosso in E Minor, Op. 1, No. 4: IV. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | E Minor | 3 | 9A | 141 BPM | ||
Sonata No. 4 in B Flat Major: XVII. 17 3. Grave | Francesco Geminiani, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen | A♭ Major | 1 | 4B | 78 BPM | ||
Orchestral Suite No. 2: IV. Bourrée. Gayement | Johann Bernhard Bach, Thüringer Bach Collegium, Gernot Süssmuth | D♭ Major | 3 | 3B | 127 BPM | ||
Mystery (Rosary) Sonata: No. 1 in D Minor “The Annunciation”: I. Praeludium | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
Spängler-Menuett III | Leopold Mozart, Bankhaus Spängler | G Major | 0 | 9B | 92 BPM |
Section: 0.5822403430938721
End: 0.5859980583190918