- BPM
- 88
- Key
- F♯ Major
- Camelot
- 2B
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 - Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor Information
- Acousticness
- 92%
- Danceability
- 25%
- Energy
- 17%
- Instrumentalness
- 4%
- Liveness
- 8%
- Loudness
- 68%
- Speechiness
- 5%
- Valence
- 15%
- Popularity
- 2%
- Loudness
- -19.065 dB
Summary
"XII sonate a tre o quattro strumenti e basso: Sonata X a 3" by Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor was released on 2009. Since XII sonate a tre o quattro strumenti e basso: Sonata X a 3 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 12 in Bertali: Prothimia Suavissima by Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor. Going off of the ISRC code of this track, we detected that the origin of this track is from France. XII sonate a tre o quattro strumenti e basso: Sonata X a 3 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 BPM
The tempo marking of XII sonate a tre o quattro strumenti e basso: Sonata X a 3 by Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 Key
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Gordion Knot Unty'd, Z. 597: Second Music: Air | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 91 BPM | |
 | 12 Sonatas and a Pastorale, Op. 1 (1734): No. 1, Violin Sonata in A Major, B.A14 / GT 2.A14: I. Grave | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | |
 | Sonata No. 2 in D Minor: VI. 06 1. Andante | Francesco Geminiani, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen | A♭ Major | 1 | 4B | 78 BPM | |
 | Fantazia I, Z. 732 | Henry Purcell, John Holloway, Monika Baer, Martin Zeller | D♭ Minor | 1 | 12A | 162 BPM | |
 | Scherzi da Violino Solo, No. 2: Sonata in C Major: IV. Allegro I | Johann Jakob Walther, Bojan Čičić, The Illyria Consort | D♭ Major | 2 | 3B | 104 BPM | |
| 12 Sonatas and a Pastorale, Op. 1 (1734) No. 7, Violin Sonata in D Major, B.D6 / GT 2.D06: II. Allegro | Giuseppe Tartini, La Serenissima, Adrian Chandler | B♭ Minor | 1 | 3A | 112 BPM | |
 | Sonata a tre in sol minore: V. Allegro | Giovanni Maria Bononcini, Musica Antiqua Latina | F♯ Minor | 1 | 11A | 131 BPM | |
 | Sinfonia No. 9 in G Minor, RosS 533.9: II. Adagio | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 0 | 11A | 131 BPM | |
 | Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: I. Adagio | Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot | D♭ Major | 1 | 3B | 90 BPM | |
 | Laudate Pueri: VII. Gloria Patri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford | A Major | 1 | 11B | 85 BPM |
- ISRC
- FRW180500034
- Label
- L-M Records/RCA Records
Section: 0.868293285369873
End: 0.8720927238464355