Henry Purcell, John Holloway, Monika Baer, Martin Zeller's 'Fantazia I, Z. 732' came out on September 22, 2023. The duration of Fantazia I, Z. 732 is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Fantazia I, Z. 732's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Henry Purcell, John Holloway's "Henry Purcell: Fantazias" album is number 2 out of 12. On top of that, Germany appears to be the country where this track was created. The popularity of Fantazia I, Z. 732 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fantazia I, Z. 732 by Henry Purcell, John Holloway, Monika Baer, Martin Zeller to be Vivace (lively and fast) because the track has a tempo of 162 BPM, a half-time of 81BPM, and a double-time of 324 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas / Act 2: Prelude for the Witches - "Wayward Sisters" | Henry Purcell, David Thomas, Elisabeth Priday, Academy of Ancient Music, Christopher Hogwood | E Major | 2 | 12B | 122 BPM | ||
Partenio, Ouverture (1738): I. (Without indication) | Francesco Maria Veracini, Neue Düsseldorfer Hofmusik, Mary Utiger | E Major | 1 | 12B | 82 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 6, La noble fierté | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Airs for the Seasons, Summer (Excerpts): Pink: III. Temo di Minuetto | James Oswald, Rezonance Baroque Ensemble | F♯ Major | 2 | 2B | 82 BPM | ||
Concerto VIII in C Minor: IV. Adagio | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
6 Concerts transcrits en sextuor / 5e concert: 1. La Forqueray | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | F Minor | 3 | 4A | 100 BPM | ||
Theodora, HWV 68, Overture: Grave - Allegro | George Frideric Handel, Arcangelo, Jonathan Cohen | D Major | 2 | 10B | 105 BPM | ||
The Fairy Queen, Z. 629 / Act 2: "Hush, no more" | Henry Purcell, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | F♯ Major | 1 | 2B | 135 BPM | ||
Trio Sonata in D Minor, RV 63 "Follia": Variation 8 (Adagio) | Antonio Vivaldi, Le Consort | D♭ Minor | 3 | 12A | 78 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM |
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