Giuseppe Tartini, La Serenissima, Adrian Chandler made "12 Sonatas and a Pastorale, Op. 1 (1734) No. 7, Violin Sonata in D Major, B.D6 / GT 2.D06: II. Allegro" available on March 22, 2024. 12 Sonatas and a Pastorale, Op. 1 (1734) No. 7, Violin Sonata in D Major, B.D6 / GT 2.D06: II. Allegro is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. There is only one song in 'Diavolo': Giuseppe Tartini - 6 Violin Sonatas, so we believe that "12 Sonatas and a Pastorale, Op. 1 (1734) No. 7, Violin Sonata in D Major, B.D6 / GT 2.D06: II. Allegro" is a single. In terms of popularity, 12 Sonatas and a Pastorale, Op. 1 (1734) No. 7, Violin Sonata in D Major, B.D6 / GT 2.D06: II. Allegro is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 12 Sonatas and a Pastorale, Op. 1 (1734) No. 7, Violin Sonata in D Major, B.D6 / GT 2.D06: II. Allegro by Giuseppe Tartini, La Serenissima, Adrian Chandler is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in F Major, Op. 5 No. 4: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Tartini: 26 Violin Sonatas: No. 12 in G Major, B. G2: Aria del Tasso e gondoliera. "Lieto ti prendo e poi" (Transcr. Sollima for Cello and Orchestra) | Giuseppe Tartini, Giovanni Sollima, Il Pomo D'oro | B Major | 0 | 1B | 133 BPM | ||
Recorder Concerto No. 9 in A Minor: V. Allegro | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 2 | 1A | 109 BPM | ||
Il pianto d'Arianna in E-Flat Major, Op. 7 No.6: VII. Largo Andante | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | B Minor | 2 | 10A | 130 BPM | ||
Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Giga | Nicola Matteis, Ophélie Gaillard, Pulcinella Orchestra | A Major | 4 | 11B | 123 BPM | ||
Sinphonia No. 5 for Strings & Continuo in F Major, Op. 1.10: I. Allegro - Adagio | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Major | 3 | 12B | 200 BPM | ||
Aria et variationes in D Major | Gottfried Finger, Petr Wagner, Ensemble Tourbillon | A♭ Major | 0 | 4B | 119 BPM | ||
Affetti musicali, Op. 1: No. 23, La Boldiera | Biagio Marini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Massimo Lonardi | D Minor | 1 | 7A | 105 BPM | ||
Concerto in D Major, D. 53: I. Allegro | Giuseppe Tartini, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | A Major | 2 | 11B | 102 BPM | ||
Suite No. 1 in G Minor: III. Courante | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | B Major | 1 | 1B | 104 BPM |
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