"Zaïde, reine de Grenade: Air pour les Turcs en rondeau" by Joseph-Nicolas-Pancrace Royer, Orfeo Orchestra, Gyorgy Vashegyi was released on September 15, 2023. With Zaïde, reine de Grenade: Air pour les Turcs en rondeau being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Cyrille Dubois, Orfeo Orchestra, Purcell Choir, Gyorgy Vashegyi's "Jouissons de nos beaux ans !" album is number 9 out of 29. On top of that, France appears to be the country where this track was created. Based on our statistics, Zaïde, reine de Grenade: Air pour les Turcs en rondeau's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Zaïde, reine de Grenade: Air pour les Turcs en rondeau by Joseph-Nicolas-Pancrace Royer, Orfeo Orchestra, Gyorgy Vashegyi to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: IV. Allegro e solo | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | D♭ Minor | 3 | 12A | 132 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Suite No. 2 in G Minor, R. 93-100: III. Courante, R. 95 | Gottlieb Muffat, Mitzi Meyerson | A Major | 3 | 11B | 107 BPM | ||
Pyrrhus, Act V, Scene 1, 2: "Mais, quel spectacle à mes yeux se présente ?" - Live Recording at La Salle des Croisades du Château de Versailles | Joseph-Nicolas-Pancrace Royer, Les Enfants d'Apollon, Michael Greenberg, Alain Buet, Olivier Fichet, Jeffrey Thompson | C Minor | 1 | 5A | 75 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Minor | 5 | 7A | 155 BPM | ||
Suite No.2: No. 5, Les tendres sentiments | Joseph-Nicolas, Joseph-Nicolas-Pancrace Royer, Iakovos Pappas | D♭ Minor | 1 | 12A | 182 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM |
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