George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon's 'Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena)' came out on February 21, 2006. Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena) is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Kimberley Barber, Kevin Mallon's "Handel: Rinaldo" album is number 7 out of 48. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena)'s popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena) by George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon to be Allegro (fast, quick, and bright) because the track has a tempo of 155 BPM, a half-time of 78BPM, and a double-time of 310 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rinaldo, HWV 7b: Act II Scene 3: Aria a 2: Il vostro maggio de' bei verdi anni (Sirens) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 76 BPM | ||
Requiem, Op. 48 (version pour grand orchestre): Agnus Dei | Gabriel Fauré, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale, Joseph Moor | D Minor | 0 | 7A | 143 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Dixit Dominus, RV 595: De torrente in via bibet: Largo | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | E♭ Minor | 0 | 2A | 98 BPM | ||
Concerto grosso No. 4 in A Minor, Op. 6/4, HWV 322: I. Larghetto affettuoso | George Frideric Handel, Sir Neville Marriner, Malcolm Latchem, Thurston Dart, Academy of St. Martin in the Fields | B♭ Major | 2 | 6B | 82 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
7 Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 0 | 6B | 67 BPM | ||
Circe, Z. 575: We Must Assemble By a Sacrifice (Bass, Chorus) | Henry Purcell, Giles Tomkins, Brian Duyn, Peter Mahon, Neil Aronoff, Nicole Bower, Roz McArthur, Aradia Ensemble, Kevin Mallon | F♯ Major | 2 | 2B | 166 BPM | ||
Ich habe genug, BWV 82: I. Aria. Ich habe genug | Johann Sebastian Bach, Matthias Goerne, Freiburger Barockorchester, Gottfried Von Der Goltz | B Minor | 1 | 10A | 76 BPM | ||
Ave Verum Corpus, K. 618 | Wolfgang Amadeus Mozart, Christian-Pierre La Marca, Patricia Petibon, Thierry Escaich | F Major | 1 | 7B | 83 BPM |
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