Joseph-Nicolas, Joseph-Nicolas-Pancrace Royer, Iakovos Pappas's 'Suite No.2: No. 5, Les tendres sentiments' came out on January 1, 1992. Suite No.2: No. 5, Les tendres sentiments is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Royer: Pièces de Clavecin". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Italy. The popularity of Suite No.2: No. 5, Les tendres sentiments is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite No.2: No. 5, Les tendres sentiments by Joseph-Nicolas, Joseph-Nicolas-Pancrace Royer, Iakovos Pappas having a BPM of 182 with a half-time of 91 BPM and a double-time of 364 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Harmonious Blacksmith (Air and Variations in E Major from Suite No. 5, Book I) | George Frideric Handel, Igor Kipnis | B♭ Minor | 3 | 3A | 78 BPM | ||
The Art of Fugue, BWV 1080 (Roger Vuataz Orchestration): Contrapunctus 1 "Einfache Fuge über das Thema in seiner Urgestalt, a 4" | Johann Sebastian Bach, Antje Geusen, Sabine Fehlandt, Dorte Wetzel, Bernhard Forck | E Minor | 0 | 9A | 108 BPM | ||
Scarlatti, D: Keyboard Sonata in E Major, Kk. 531 | Domenico Scarlatti, Scott Ross | D♭ Major | 5 | 3B | 116 BPM | ||
Harpsichord Suite No. 3 in A Minor: III. Courante | Élisabeth Jacquet de La Guerre, Daniela Dolci | A♭ Minor | 3 | 1A | 95 BPM | ||
Concerto in E Major: III. Siciliano | Carl Heinrich Graun, Fréderick Franssen, Members of the Netherlands Radio Philharmonic Orchestra | E♭ Major | 3 | 5B | 100 BPM | ||
Suitte en Trio No. 5 in G Major, Op. 1: V. Gigue | Louis-Antoine Dornel, Musica Barocca | D♭ Major | 1 | 3B | 176 BPM | ||
Trio Sonata in A Minor, BuxWV 272 | Dietrich Buxtehude, Ensemble Masques, Sophie Gent, Mélissande Corriveau, Olivier Fortin | A Minor | 2 | 8A | 171 BPM | ||
Suite in D minor (Paris, 1699): Chaconne | Davitt Moroney | D♭ Minor | 5 | 12A | 98 BPM | ||
Sonata for Violin and Continuo No. 11 in C Minor: V. Giga. Allegro | Jean-Jacques-Baptiste Anet, Théotime Langlois de Swarte, Justin Taylor | F♯ Major | 2 | 2B | 138 BPM | ||
Quatrième livre: La de Drummond | Jacques Duphly, Christophe Rousset | A♭ Minor | 4 | 1A | 117 BPM |
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