Élisabeth Jacquet de La Guerre, Daniela Dolci made "Harpsichord Suite No. 3 in A Minor: III. Courante" available on July 31, 2015. With Harpsichord Suite No. 3 in A Minor: III. Courante being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Élisabeth Jacquet de La Guerre, Musica Fiorita, Daniela Dolci's "Jacquet de la Guerre: Chamber Music" album is number 25 out of 43. On top of that, Switzerland appears to be the country where this track was created. In terms of popularity, Harpsichord Suite No. 3 in A Minor: III. Courante is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Harpsichord Suite No. 3 in A Minor: III. Courante by Élisabeth Jacquet de La Guerre, Daniela Dolci to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Céphale et Procris, Act V Scene 2: Est-il de plus douce victoire (Borée) | Élisabeth Jacquet de La Guerre, Lisandro Abadie, Reinoud Van Mechelen, A Nocte Temporis, Chœur De Chambre De Namur | A♭ Major | 2 | 4B | 44 BPM | ||
Suite in F Major: VI. Gigue | Louis Couperin, Laurence Cummings | E Major | 3 | 12B | 172 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 102 BPM | ||
Pavanne in F-sharp minor | Louis Couperin, Richard Egarr | E Minor | 1 | 9A | 68 BPM | ||
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Sonata No. 5 in E Minor, RV 40, Op. 14: I. Largo | Antonio Vivaldi, Jaap Ter Linden, Lars Ulrik Mortensen, Judith-Maria Becker | E♭ Minor | 1 | 2A | 140 BPM | ||
12 Flute Sonatas (1724), Flute Sonata No. 2 in E Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 75 BPM | ||
Concerto in E Minor: I. Adagio e staccato | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | B Major | 0 | 1B | 132 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Purcell : King Arthur : Air | William Christie | C Minor | 0 | 5A | 96 BPM |
Section: 0.6597707271575928
End: 0.663975715637207