Johann Sebastian Bach, Antje Geusen, Sabine Fehlandt, Dorte Wetzel, Bernhard Forck's 'The Art of Fugue, BWV 1080 (Roger Vuataz Orchestration): Contrapunctus 1 "Einfache Fuge über das Thema in seiner Urgestalt, a 4"' came out on January 11, 2011. The duration of The Art of Fugue, BWV 1080 (Roger Vuataz Orchestration): Contrapunctus 1 "Einfache Fuge über das Thema in seiner Urgestalt, a 4" is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. The Art of Fugue, BWV 1080 (Roger Vuataz Orchestration): Contrapunctus 1 "Einfache Fuge über das Thema in seiner Urgestalt, a 4"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 21 in Bach: Die Kunst der Fuge by Tha Trickaz, Creaky Jackals, Gregorio Allegri, A Sei Voci, Johann Sebastian Bach, Akademie für Alte Musik Berlin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, The Art of Fugue, BWV 1080 (Roger Vuataz Orchestration): Contrapunctus 1 "Einfache Fuge über das Thema in seiner Urgestalt, a 4" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Art of Fugue, BWV 1080 (Roger Vuataz Orchestration): Contrapunctus 1 "Einfache Fuge über das Thema in seiner Urgestalt, a 4" by Johann Sebastian Bach, Antje Geusen, Sabine Fehlandt, Dorte Wetzel, Bernhard Forck is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 3, Choral. "Herzliebster Jesu, was hast du verbrochen" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien | B Major | 2 | 1B | 128 BPM | ||
4 Impromptus, D. 899, Op. 90: No. 3 in G-Flat Major | Franz Schubert, Murray Perahia | C Minor | 5 | 5A | 150 BPM | ||
Wir müssen durch viel Trübsal, BWV 146: Sinfonia | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 0 | 10B | 102 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Sonata in B Minor, K. 87: Andante | Domenico Scarlatti, Ivo Pogorelich | B Minor | 0 | 10A | 147 BPM | ||
Sonata in A Minor, L 241 | Domenico Scarlatti, Vladimir Horowitz | E Minor | 0 | 9A | 79 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM |
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