"Music: Stolzel: Bist Du Bei Mir" by John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach was released on July 5, 2002. The duration of Music: Stolzel: Bist Du Bei Mir is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Music: Stolzel: Bist Du Bei Mir's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Shrapnel's "Life And Works: Johann Sebastian Bach" album is number 10 out of 57. On top of that, Hong Kong appears to be the country where this track was created. Music: Stolzel: Bist Du Bei Mir is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Music: Stolzel: Bist Du Bei Mir by John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
Schubert : "Du bist die Ruh" D776 | Franz Schubert, Barbara Bonney | E♭ Major | 0 | 5B | 66 BPM | ||
Concerto in C Minor, BWV 1060: II. Adagio | Johann Sebastian Bach, Alexei Ogrintchouk, Concertgebouw Chamber Orchestra, Vesko Eschkenazy, Tjeerd Top, Alexei Ogrintchouck | C Minor | 1 | 5A | 81 BPM | ||
Gounod: Messe solennelle de Sainte-Cécile, CG 56: V. Benedictus (Soprano, Chorus) | Charles Gounod, Barbara Hendricks, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France | B♭ Major | 0 | 6B | 68 BPM | ||
Trois chansons de Bilitis, L. 90: No. 1, La flûte de Pan | Claude Debussy, Anne Sofie von Otter, Bengt Forsberg | F♯ Major | 0 | 2B | 85 BPM | ||
Double Concerto for 2 Violins, Strings, and Continuo in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, David Oistrakh, Igor Oistrakh, George Malcolm, Royal Philharmonic Orchestra, Eugene Goossens | E Minor | 0 | 9A | 128 BPM | ||
Ave Maria | Charles Gounod, Johann Sebastian Bach, Yoshikazu Mera, Hisako Matsui, Japan Philharmonic Orchestra, Shigeo Genda | E♭ Major | 0 | 5B | 90 BPM | ||
Violin Concerto No. 2 In E Major, BWV 1042: I. Allegro | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | E Major | 4 | 12B | 96 BPM | ||
Music: Prelude In D Major, BWV 532 | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | D Major | 1 | 10B | 127 BPM | ||
Les indes galantes / Nouvelle Entrée: Les Sauvages Scène 6: Danse du Grand Calumet de la Paix (Rondeau) - Forêts paisibles | Jean-Philippe Rameau, Patricia Petibon, Kevin Greenlaw, La Cetra Barockorchester Basel, Andrea Marcon, La Cetra Vocalensemble Basel | F♯ Minor | 3 | 11A | 87 BPM |
Section: 0.6805059909820557
End: 0.6865935325622559