George Frideric Handel, Igor Kipnis made "The Harmonious Blacksmith (Air and Variations in E Major from Suite No. 5, Book I)" available on 1960. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "The Handel Collection". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. The Harmonious Blacksmith (Air and Variations in E Major from Suite No. 5, Book I) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Harmonious Blacksmith (Air and Variations in E Major from Suite No. 5, Book I) by George Frideric Handel, Igor Kipnis having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio & III. Allegro | Johann Sebastian Bach, Alison Bury, Orchestra of the Age of Enlightenment | F♯ Major | 6 | 2B | 127 BPM | ||
Vivaldi: Concerto for Two Trumpets in C Major, RV 537: I. Allegro | Antonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the Fields | G Major | 2 | 9B | 108 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Suite No. 5 in E Major, HWV 430: IV. Air con Variazioni "The Harmonious Blacksmith" | George Frideric Handel, Murray Perahia | E Major | 1 | 12B | 99 BPM | ||
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
Messiah, HVW 56, Part 3, Scene 1: Since by man came death | George Frideric Handel, Bible, Charles Jennens, Rebaroque, St. Jacob's Chamber Choir, Gary Graden | A Minor | 1 | 8A | 106 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Franz Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 125 BPM | ||
Chanson de matin | Edward Elgar, Britten Sinfonia, Nicholas Cleobury | G Major | 2 | 9B | 171 BPM | ||
Trumpet Tune in C Major, ZT 697 (Arr. for Brass Ensemble and Organ) | Henry Purcell, The Michael Laird Brass Ensemble, Peter Hurford | D Major | 1 | 10B | 99 BPM |
Section: 0.5894269943237305
End: 0.5949726104736328