- BPM
- 172
- Key
- F♯ Major
- Camelot
- 2B
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) - George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni Information
- Acousticness
- 88%
- Danceability
- 19%
- Energy
- 10%
- Instrumentalness
- 4%
- Liveness
- 18%
- Loudness
- 65%
- Speechiness
- 5%
- Valence
- 27%
- Popularity
- 34%
- Loudness
- -20.87 dB
Summary
George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni's 'Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne)' came out on August 24, 2010. With this song being about 5 minutes long, at 5:18, "Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne)" by George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Fabio Bonizzoni's "Handel: Italian Cantatas, Vol. 7" album is number 5 out of 32. The popularity of Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) BPM
We consider the tempo marking of Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) by George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) Key
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto Grosso in F Major: III. Vivace (After a. Corelli's Trio Sonata, Op. 3, No. 1) | Francesco Geminiani, La Risonanza, Carlo Chiarappa | C Minor | 0 | 5A | 171 BPM | |
 | Concerto grosso No. 4 in A Minor, Op. 6/4, HWV 322: I. Larghetto affettuoso | George Frideric Handel, Sir Neville Marriner, Malcolm Latchem, Thurston Dart, Academy of St. Martin in the Fields | B♭ Major | 2 | 6B | 82 BPM | |
 | Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | |
 | Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | |
 | Orfeo ed Euridice, Wq. 30, Act II, Scene 2: Symphonie - Arioso "Che puro ciel, che chiaro sol" (Orfeo) | Christoph Willibald Gluck, James Bowman, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire, Chœur De Chambre De Namur | B Minor | 2 | 10A | 89 BPM | |
 | Requiem in D Minor, Op. 48: Libera me | Gabriel Fauré, Tenebrae, William Gaunt, LSO Chamber Ensemble, Nigel Short | B♭ Major | 1 | 6B | 175 BPM | |
 | Theodora, Hwv 68: Act I Scene 5: Air: Angels, ever bright and fair | George Frideric Handel, Christina Wieland, Frankfurt Baroque Orchestra, Joachim Carlos Martini | B♭ Minor | 0 | 3A | 55 BPM | |
 | Mozart: Mass No. 17 in C Minor, K. 427/417a, "Great Mass": I. Kyrie | Wolfgang Amadeus Mozart, Louis Langrée, Le Concert d'Astrée | C Minor | 1 | 5A | 167 BPM | |
 | Pergolesi: Stabat Mater: VII. Eia Mater | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | E Minor | 1 | 9A | 131 BPM | |
 | Gentil Donna Mia (Arr. for Voice & Chamber Ensemble) | Vincenzo Ruffo, Roberta Invernizzi, Accademia Strumentale Italiana | F Minor | 0 | 4A | 129 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8135197162628174
End: 0.8175234794616699