- BPM
- 167
- Key
- C Minor
- Camelot
- 5A
Mozart: Mass No. 17 in C Minor, K. 427/417a, "Great Mass": I. Kyrie - Wolfgang Amadeus Mozart, Louis Langrée, Le Concert d'Astrée Information
- Acousticness
- 97%
- Danceability
- 12%
- Energy
- 14%
- Instrumentalness
- 13%
- Liveness
- 11%
- Loudness
- 69%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 11%
- Loudness
- -18.755 dB
Summary
"Mozart: Mass No. 17 in C Minor, K. 427/417a, "Great Mass": I. Kyrie" by Wolfgang Amadeus Mozart, Louis Langrée, Le Concert d'Astrée was released on September 4, 2006. Since Mozart: Mass No. 17 in C Minor, K. 427/417a, "Great Mass": I. Kyrie is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Louis Langree/Natalie Dessay/Véronique Gens, Louis Langrée, Le Concert d'Astrée's "Mozart: Mass in C Minor" album is number 1 out of 14. The popularity of Mozart: Mass No. 17 in C Minor, K. 427/417a, "Great Mass": I. Kyrie is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Mozart: Mass No. 17 in C Minor, K. 427/417a, "Great Mass": I. Kyrie BPM
We consider the tempo marking of Mozart: Mass No. 17 in C Minor, K. 427/417a, "Great Mass": I. Kyrie by Wolfgang Amadeus Mozart, Louis Langrée, Le Concert d'Astrée to be Vivace (lively and fast) because the track has a tempo of 167 BPM, a half-time of 84BPM, and a double-time of 334 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
Mozart: Mass No. 17 in C Minor, K. 427/417a, "Great Mass": I. Kyrie Key
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Vesperae solennes de confessore in C, K.339: 3. Beatus vir qui timet Dominum (PS. 111/112) | Wolfgang Amadeus Mozart, Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock | B Minor | 2 | 10A | 127 BPM | |
 | Mass in B Minor, BWV 232: Agnus Dei (Alto) | Johann Sebastian Bach, Meg Bragle, English Baroque Soloists, John Eliot Gardiner | E♭ Major | 1 | 5B | 126 BPM | |
 | Requiem, Op.48: 7. In Paradisum (Chorus) | Gabriel Fauré, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus London | D Major | 0 | 10B | 63 BPM | |
 | Requiem In D Minor, K. 626: Sequence: III. Rex Tremendae Majestatis | Slovak Philharmonic, Magdaléna Hajóssyová, Jozef Kundlák, Slovak Philharmonic Chorus, Peter Mikulas, Jaroslava Horska, Stefan Klimo, Vladimir Ruso, Wolfgang Amadeus Mozart | G Minor | 1 | 6A | 82 BPM | |
 | Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | |
 | Mass in B minor, BWV 232 / Agnus Dei: Agnus Dei | Johann Sebastian Bach, Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult | G Minor | 2 | 6A | 106 BPM | |
 | Purcell: Dido and Aeneas, Z. 626, Act III: Chorus. "With Drooping Wings" (Chorus) | Henry Purcell, Emmanuelle Haïm, European Voices, Le Concert d'Astrée | F♯ Minor | 1 | 11A | 169 BPM | |
 | Requiem in D minor, K.626: 6. Benedictus | Wolfgang Amadeus Mozart, Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 1 | 6B | 90 BPM | |
 | En prison | Natalie Dessay, Ensemble Agora | C Minor | 3 | 5A | 113 BPM | |
 | Cantata No. 82, BWV 82 "Ich habe genug": I. "Ich habe genug" | Johann Sebastian Bach, Ann-Kathrin Bruggemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester | D♭ Major | 2 | 3B | 142 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7421474456787109
End: 0.7566430568695068