"Mass in B minor, BWV 232 / Agnus Dei: Agnus Dei" by Johann Sebastian Bach, Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult was released on January 1, 1960. Mass in B minor, BWV 232 / Agnus Dei: Agnus Dei is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The track order of this song in Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult's "Kathleen Ferrier" album is number 4 out of 8. In terms of popularity, Mass in B minor, BWV 232 / Agnus Dei: Agnus Dei is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in B minor, BWV 232 / Agnus Dei: Agnus Dei by Johann Sebastian Bach, Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vier letzte Lieder: 4. Im Abendrot | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D Major | 1 | 10B | 117 BPM | ||
Myrthen, Op. 25: No. 3. Der Nussbaum | Robert Schumann, Margaret Price, James Lockhart | G Major | 0 | 9B | 65 BPM | ||
Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | G Minor | 3 | 6A | 133 BPM | ||
Matthäus-Passion, BWV 244, Erster Teil: 4. (Evangelist und Chorus) "Da versammleten sich die Hohenpriester", usw. | Johann Sebastian Bach, Collegium Vocale Gent, Franz-Joseph Selig, Philippe Herreweghe, Ian Bostridge | D♭ Minor | 1 | 12A | 96 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Nisi Dominus, RV 608: I. Nisi Dominus | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Philippe Jaroussky | G Minor | 2 | 6A | 117 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": II. Andante | Janos Sebestyen, Johann Sebastian Bach | D Minor | 1 | 7A | 131 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Du bist die Ruh', Op. 59/3, D.776 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | C Major | 0 | 8B | 80 BPM | ||
Pomp and Circumstance March No. 1 in D Major, Op .39, No. 1 | Edward Elgar, David Parry, London Philharmonic Orchestra | D Major | 3 | 10B | 89 BPM |
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