Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity - Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra Information

Acousticness: 94%
Danceability: 32%
Energy: 27%
Instrumentalness: 92%
Liveness: 10%
Loudness: 77%
Speechiness: 4%
Valence: 19%
Popularity: 30%
Loudness: -13.969 dB

Summary

"Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity" by Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra was released on January 1, 1979. Since Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra's "Holst: The Planets, Op. 32" album is number 4 out of 7. Based on our statistics, Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity BPM

We consider the tempo marking of Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity by Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity Key

This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
A Shropshire Lad (Rhapsody for Orchestra)	George Butterworth, Neville Dilkes, English Sinfonia	F Minor	1	4A	87 BPM
The Planets, Op. 32: I. Mars, the Bringer of War	Gustav Holst, Royal Philharmonic Orchestra, Vernon Handley	F Minor	3	4A	149 BPM
Four Scottish Dances, Op. 59 - Produced	Malcolm Arnold, London Philharmonic Orchestra	F Major	1	7B	116 BPM
Pines Of Rome	Chicago Symphony Orchestra	F Major	2	7B	80 BPM
3 Small Tone Poems: No. 1. Summer Evening	Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones	D Major	0	10B	90 BPM
Peer Gynt Suite No.2 op. 55 Solveig's Song (Andante-Allegretto tranquillamente)	Academy of St. Martin in the Fields	A Minor	0	8A	93 BPM
Elgar: Pomp and Circumstance March No. 1 in D Major (Land of Hope and Glory)	Edward Elgar, London Philharmonic Orchestra, Andrew Davis	D Major	5	10B	119 BPM
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645)	Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz	E♭ Major	0	5B	110 BPM
2nd Movement: Largo	London Philharmonic Orchestra	D♭ Major	0	3B	74 BPM
String Quintet in C Major G. 324, Op. 30, No.6, "La musica notturna delle strade di Madrid": String Quintet in C major G.324, Op.30 No.6, "La musica notturna delle strade di Madrid": IV. Il rosario: Largo assai - Allegro	Luigi Boccherini, Cuarteto Casals, Eckart Runge	G Major	0	9B	82 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.5787718296051025

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