"Peer Gynt Suite No.2 op. 55 Solveig's Song (Andante-Allegretto tranquillamente)" by Academy of St. Martin in the Fields was released on 1994. With this song being about 5 minutes long, at 5:14, "Peer Gynt Suite No.2 op. 55 Solveig's Song (Andante-Allegretto tranquillamente)" by Academy of St. Martin in the Fields is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 15 out of 16 in Edvard Grieg: Orchestral Works (Classical Mastepieces) by Academy of St. Martin in the Fields. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Peer Gynt Suite No.2 op. 55 Solveig's Song (Andante-Allegretto tranquillamente) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peer Gynt Suite No.2 op. 55 Solveig's Song (Andante-Allegretto tranquillamente) by Academy of St. Martin in the Fields is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chopin: Mazurka No. 41 in C-Sharp Minor, Op. 63 No. 3 | Frédéric Chopin, Alexandre Tharaud | D♭ Minor | 1 | 12A | 128 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Holberg Suite, Op.40: 4. Air (Andante religioso) | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 67 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | Joaquín Rodrigo, Pepe Romero, Christine Pendrill, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 0 | 10A | 70 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Requiem en ré mineur, Op. 48: "Pie Jesu" | Gabriel Fauré, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs, Elizabeth Geiger | B♭ Major | 1 | 6B | 95 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged for cello and piano / Act 2: Dance of the Blessed Spirits (Reigen seliger Geister) | Christoph Willibald Gluck, Mischa Maisky, Pavel Gililov | B Minor | 1 | 10A | 66 BPM | ||
Méditation de Thaïs | Jules Massenet, Peter Mirring, Dresden State Opera Chorus, Members, Staatskapelle Dresden, Silvio Varviso | E Minor | 0 | 9A | 96 BPM | ||
Orfeo et Eurydice: Mélodie for Piano Solo | Christoph Willibald Gluck, Giovanni Sgambati, James Rhodes | D Minor | 0 | 7A | 70 BPM | ||
Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM |
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