- BPM
- 119
- Key
- D Major
- Camelot
- 10B
Elgar: Pomp and Circumstance March No. 1 in D Major (Land of Hope and Glory) - Edward Elgar, London Philharmonic Orchestra, Andrew Davis Information
- Acousticness
- 76%
- Danceability
- 32%
- Energy
- 53%
- Instrumentalness
- 63%
- Liveness
- 9%
- Loudness
- 90%
- Speechiness
- 4%
- Valence
- 33%
- Popularity
- 30%
- Loudness
- -6.004 dB
Summary
Edward Elgar, London Philharmonic Orchestra, Andrew Davis's 'Elgar: Pomp and Circumstance March No. 1 in D Major (Land of Hope and Glory)' came out on 2000. Elgar: Pomp and Circumstance March No. 1 in D Major (Land of Hope and Glory) is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. There are a total of 17 in the song's album "The Last Night of the Proms". In this album, this song's track order is #8. In terms of popularity, Elgar: Pomp and Circumstance March No. 1 in D Major (Land of Hope and Glory) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Elgar: Pomp and Circumstance March No. 1 in D Major (Land of Hope and Glory) BPM
With Elgar: Pomp and Circumstance March No. 1 in D Major (Land of Hope and Glory) by Edward Elgar, London Philharmonic Orchestra, Andrew Davis having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Elgar: Pomp and Circumstance March No. 1 in D Major (Land of Hope and Glory) Key
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | E♭ Major | 6 | 5B | 110 BPM | |
 | Brideshead Revisited Theme | Geoffrey Burgon | F Major | 1 | 7B | 147 BPM | |
 | Piano Concerto #1 in B-flat Minor | Various Artists | D Major | 2 | 10B | 112 BPM | |
 | Serenade No. 5, Op. 3 | The Jane Austen Era | G Major | 1 | 9B | 95 BPM | |
 | Tchaikovsky: Suite from Swan Lake, Op. 20a: I. Scene. Moderato | Pyotr Ilyich Tchaikovsky, Alexander Lazarev, The Bolshoi Symphony Orchestra | A♭ Minor | 3 | 1A | 79 BPM | |
 | Symphony No. 5 in C Minor, Op. 67 "Fate": Allegro con brio | Ludwig van Beethoven, David Parry, London Philharmonic Orchestra | C Minor | 3 | 5A | 94 BPM | |
 | Elgar: Pomp and Circumstance, Op. 39: I. March No. 1 in D Major (Allegro con molto fuoco - Trio - Molto maestoso) | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult, David Bell | D Major | 3 | 10B | 93 BPM | |
 | 3 Bavarian Dances: No. 1 | Edward Elgar, New Zealand Symphony Orchestra, James Judd | F♯ Minor | 2 | 11A | 145 BPM | |
 | Rigoletto, Atto III, Canzone: "La donna è mobile" | Giuseppe Verdi, Jonas Kaufmann, Pier Giorgio Morandi, Parma Opera Orchestra | B Major | 2 | 1B | 136 BPM | |
 | Fantasia on a Theme by Thomas Tallis (opening) | Sir Adrian Boult, London Philharmonic Orchestra | E♭ Major | 1 | 5B | 68 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7580921649932861
End: 0.7611691951751709