"3 Bavarian Dances: No. 1" by Edward Elgar, New Zealand Symphony Orchestra, James Judd was released on August 29, 2006. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 13 in Elgar: Orchestral Miniatures by Edward Elgar. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, 3 Bavarian Dances: No. 1's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Bavarian Dances: No. 1 by Edward Elgar, New Zealand Symphony Orchestra, James Judd is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Capriccio Espagnol, Op. 34: 2. Variazioni | Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi | F Major | 0 | 7B | 80 BPM | ||
Bruch: Scottish Fantasy, Op. 46: IV. Finale. Allegro guerriero | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
Land of Hope and Glory, mother of the free (England) (arr. P. Breiner): England ["Land of Hope and Glory, mother of the free…"] | Peter Breiner, Edward Elgar, Slovak Radio Symphony Orchestra | G Major | 2 | 9B | 73 BPM | ||
Pelléas et Mélisande, Op.80: 6. Molto adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 0 | 7A | 82 BPM | ||
Schumann: Symphony No. 1 in B-Flat Major, Op. 38, Spring: III. Scherzo (Molto vivace) | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | D Minor | 1 | 7A | 150 BPM | ||
Symphony No. 1 in D Major "Titan": II. Kräftig Bewegt, Doch Nicht Zu Schnell - Trio: Recht Gemächlich - Tempo Primo | Gustav Mahler, Valery Gergiev, London Symphony Orchestra | A Minor | 0 | 8A | 67 BPM | ||
On hearing the first Cuckoo in Spring | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 80 BPM | ||
Haydn: Symphony No. 104 in D Major, Hob. I:104 "London": I. Adagio - Allegro | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | D Major | 2 | 10B | 119 BPM |
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