"Haydn: Symphony No. 104 in D Major, Hob. I:104 "London": I. Adagio - Allegro" by Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra was released on January 1, 1980. Since Haydn: Symphony No. 104 in D Major, Hob. I:104 "London": I. Adagio - Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra's "Haydn: Symphonies Nos 94 "Surprise" & 104 "London"" album is number 5 out of 8. In terms of popularity, Haydn: Symphony No. 104 in D Major, Hob. I:104 "London": I. Adagio - Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Haydn: Symphony No. 104 in D Major, Hob. I:104 "London": I. Adagio - Allegro by Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 in E Minor, JB 1:105: IV. Vivace | Bedřich Smetana, Pavel Haas Quartet | E Major | 3 | 12B | 125 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): III. Tempo giusto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 106 BPM | ||
Keyboard Concerto in D Major, Hob. XVIII:11 - Concerto for Piano: 1. Vivace | Franz Joseph Haydn, Martha Argerich, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | D Major | 1 | 10B | 77 BPM | ||
Theme (From "Far and Away") | John Williams, Itzhak Perlman, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 89 BPM | ||
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Symphony No. 1 in D Major, Op. 25: II. Larghetto | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": III. Scherzo. Allegro molto | Franz Schubert, Jerusalem Quartet | A Major | 1 | 11B | 139 BPM |
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