"Schumann: Symphony No. 1 in B-Flat Major, Op. 38, Spring: III. Scherzo (Molto vivace)" by Robert Schumann, San Francisco Symphony, Michael Tilson Thomas was released on November 10, 2017. Schumann: Symphony No. 1 in B-Flat Major, Op. 38, Spring: III. Scherzo (Molto vivace) is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Schumann: Symphonies Nos. 1-4". In this album, this song's track order is #3. Based on our statistics, Schumann: Symphony No. 1 in B-Flat Major, Op. 38, Spring: III. Scherzo (Molto vivace)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schumann: Symphony No. 1 in B-Flat Major, Op. 38, Spring: III. Scherzo (Molto vivace) by Robert Schumann, San Francisco Symphony, Michael Tilson Thomas having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chants polonais, S. 480: No. 1, Madchens Wunsch (Zyczenie, the Maiden's Wish) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Major | 1 | 9B | 108 BPM | ||
Sonata for Cello and Piano in G minor, Op. 19: 4. Allegro mosso | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | G Major | 2 | 9B | 81 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 2. Adagio | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | C Major | 1 | 8B | 80 BPM | ||
Debussy: Children's Corner, CD 119, L. 113: No. 3, Serenade for the Doll | Claude Debussy, Simon Trpčeski | A♭ Minor | 0 | 1A | 180 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Von den Freuden und Leidenschaften | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | C Minor | 5 | 5A | 150 BPM | ||
Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): II. Preghiera (Larghetto) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | A Major | 0 | 11B | 65 BPM | ||
Rimsky-Korsakov : Capriccio espagnol Op.34 : II Variazioni | Nikolai Rimsky-Korsakov, Kurt Masur, New York Philharmonic | F Major | 0 | 7B | 163 BPM | ||
Mahler: Symphony No. 2 in C Minor, "Resurrection": II. Andante moderato | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | A♭ Major | 0 | 4B | 131 BPM | ||
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
Schumann: Liederkreis, Op. 24: No. 2, Es treibt mich hin | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | F♯ Major | 1 | 2B | 168 BPM |
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