The Jane Austen Era's 'Serenade No. 5, Op. 3' came out on September 29, 2009. With this song being about 5 minutes long, at 4:38, "Serenade No. 5, Op. 3" by The Jane Austen Era is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "The Jane Austen Era". In this album, this song's track order is #4. In terms of popularity, Serenade No. 5, Op. 3 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Serenade No. 5, Op. 3 by The Jane Austen Era having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barcarolle | Jacques Offenbach, Arthur Fiedler, Boston Pops Orchestra | D♭ Minor | 3 | 12A | 110 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 1 | 7B | 67 BPM | ||
La Musica Notturna Della Strade Di Madrid: 2. Minuetto Dei Ciechi | Luigi Boccherini, Rolf Lislevand | C Major | 0 | 8B | 108 BPM | ||
Symphony No.5 in D Major: 1. Allegro ma non troppo - Allegro assai | William Boyce, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 131 BPM | ||
Die Fledermaus (The Bat), Overture (RV 503-1) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | D Major | 1 | 10B | 99 BPM | ||
Frühlingsstimmen, Op.410 | Johann Strauss II, Wiener Philharmoniker, Willi Boskovsky | B♭ Major | 1 | 6B | 101 BPM | ||
Handel: Concerto Grosso in B Minor, HWV 330: III. Larghetto e piano | George Frideric Handel, Yehudi Menuhin, Bath Festival Orchestra | E Major | 1 | 12B | 83 BPM | ||
Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano) | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | D♭ Minor | 0 | 12A | 93 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Introduction et Rondo Capriccioso, Op.28 | Camille Saint-Saëns, Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth | A Minor | 1 | 8A | 93 BPM |
Section: 0.7625069618225098
End: 0.7694778442382812