"Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour"" by Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge was released on January 1, 1972. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Offenbach: Les Contes d'Hoffmann - Highlights". In this album, this song's track order is #10. Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" by Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
Vivaldi: Mandolin Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, Louis Auriacombe, Orchestre De Chambre De Toulouse, Andre Saint-Clivier | E♭ Major | 1 | 5B | 94 BPM | ||
Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 105 BPM | ||
Pavane, Op. 50 | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus | F Major | 2 | 7B | 98 BPM | ||
Coppélia / Tableau 3: No. 20 Fête de la cloche: 7a) La paix | Léo Delibes, Ron Golan, Orchestre de la Suisse Romande, Richard Bonynge | F Major | 2 | 7B | 81 BPM | ||
Pilgrims' Chorus | Richard Wagner, Leopold Stokowski | E♭ Major | 2 | 5B | 86 BPM | ||
Rusalka, Op. 114, B. 203, Act I: Lieblicher Mond (Song to the Moon) | Antonín Dvořák, Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias Foremny | F♯ Major | 1 | 2B | 63 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | F♯ Major | 2 | 2B | 88 BPM |
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