"Gounod: Faust, CG 4, Act 2 Scene 5: Waltz" by Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker was released on 1998. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Valses célebres by Wiener Johann Strauss Orchester, Wiener Symphoniker, Willi Boskovsky. The song's track number on the album is #6 out of 9 tracks. In terms of popularity, Gounod: Faust, CG 4, Act 2 Scene 5: Waltz is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gounod: Faust, CG 4, Act 2 Scene 5: Waltz by Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gounod: Faust, CG 4, Act 2 Scene 5: Waltz being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Night on Bald Mountain | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | D Major | 2 | 10B | 69 BPM | ||
Divertimento: II. Waltz: Allegretto, con grazia | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Wiener Bürger, Walzer, Op. 419 | Carl Michael Ziehrer, Mariss Jansons, Wiener Philharmoniker | C Major | 2 | 8B | 104 BPM | ||
Symphony No. 5 In C Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | ||
Coppélia, Act I: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E♭ Major | 2 | 5B | 91 BPM | ||
Hungarian Dance No.3 In F Major, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 77 BPM | ||
Beethoven: Symphony No. 2 in D Major, Op. 36: IV. Allegro molto | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | D Major | 2 | 10B | 78 BPM | ||
Swan Lake, Op. 20, TH. 12: Dance of the Four Swans (Arr. Wild for Piano) | Pyotr Ilyich Tchaikovsky, Yuja Wang | B Minor | 1 | 10A | 113 BPM | ||
Dorfschwalben aus Osterreich, Op. 164 | Josef Strauss, Wiener Symphoniker, Manfred Honeck | E♭ Major | 1 | 5B | 94 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM |
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