Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano) - Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy Information

Acousticness: 99%
Danceability: 16%
Energy: 3%
Instrumentalness: 94%
Liveness: 14%
Loudness: 57%
Speechiness: 4%
Valence: 6%
Popularity: 30%
Loudness: -25.842 dB

Summary

"Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano)" by Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy was released on July 1, 1986. Since Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Rachmaninov: Cello Sonata; Romance; Vocalise etc". In this album, this song's track order is #9. In terms of popularity, Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano) BPM

With Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano) by Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano) Key

This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Cello Concerto in A Major, Wq. 172, H. 439: III. Allegro assai	Carl Philipp Emanuel Bach, Lynn Harrell, Angeli Ensemble	A Major	3	11B	139 BPM
Cello Sonata in B-Flat Major, Op. 46: II. Andante sostenuto	Louise Farrenc, David Berlin, Benjamin Martin	E♭ Major	0	5B	116 BPM
Kamarinskaya (Air russe varie)	John Field, Miceal O'Rourke	B♭ Major	1	6B	92 BPM
Nocturne No. 1 in E-Flat Major	John Field, Benjamin Frith	E♭ Major	0	5B	73 BPM
3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a	Béla Bartók, Zoltán Kocsis	F♯ Minor	0	11A	62 BPM
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano)	Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz	D Minor	0	7A	128 BPM
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf	Edvard Grieg, Alice Sara Ott	D Major	2	10B	121 BPM
Poulenc: Cello Sonata, FP 143: II. Cavatine	Francis Poulenc, Daniel Müller-Schott/Robert Kulek	F♯ Major	0	2B	77 BPM
Prelude In A Minor Op. 32 No. 8	Vladimir Horowitz	F Major	1	7B	59 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	F Major	1	7B	124 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6983158588409424

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