"Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano)" by Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz was released on August 12, 2016. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 15 in Friedman: Piano Transcriptions by Ignaz Friedman, Joseph Banowetz. Based on our statistics, Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano) by Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Moonbeams | Leo Livens, Duncan Honeybourne | A Minor | 0 | 8A | 64 BPM | ||
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM | ||
Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 2. Largo (Arr. for Guitar) | Antonio Vivaldi, Eduardo Fernandez, English Chamber Orchestra, George Malcolm | D Major | 1 | 10B | 170 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Melodie from "Orfeo ed Euridice", Wq. 30 (Arr. Kreisler for Violin and Piano) | Christoph Willibald Gluck, Daniel Lozakovich, Stanislav Soloviev | D Minor | 2 | 7A | 98 BPM | ||
Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble) | Camille Saint-Saëns, Sheku Kanneh-Mason, Katherine Thomas, CBSO Cellos | G Major | 1 | 9B | 69 BPM | ||
Autumn | Rosey Chan | G Major | 0 | 9B | 69 BPM | ||
4 Piano Pieces, Op. 119: I. Intermezzo. Adagio - Musical Moments | Johannes Brahms, Elisabeth Brauß | B Minor | 0 | 10A | 66 BPM |
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