- BPM
- 96
- Key
- D♭ Minor
- Camelot
- 12A
Matthäus-Passion, BWV 244, Erster Teil: 4. (Evangelist und Chorus) "Da versammleten sich die Hohenpriester", usw. - Johann Sebastian Bach, Collegium Vocale Gent, Franz-Joseph Selig, Philippe Herreweghe, Ian Bostridge Information
- Acousticness
- 95%
- Danceability
- 34%
- Energy
- 15%
- Instrumentalness
- 0%
- Liveness
- 16%
- Loudness
- 66%
- Speechiness
- 5%
- Valence
- 17%
- Popularity
- 23%
- Loudness
- -20.294 dB
Summary
"Matthäus-Passion, BWV 244, Erster Teil: 4. (Evangelist und Chorus) "Da versammleten sich die Hohenpriester", usw." by Johann Sebastian Bach, Collegium Vocale Gent, Franz-Joseph Selig, Philippe Herreweghe, Ian Bostridge was released on 1999. The duration of Matthäus-Passion, BWV 244, Erster Teil: 4. (Evangelist und Chorus) "Da versammleten sich die Hohenpriester", usw. is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Matthäus-Passion, BWV 244, Erster Teil: 4. (Evangelist und Chorus) "Da versammleten sich die Hohenpriester", usw.'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent's "J.S. Bach: Matthäus-Passion BWV 244" album is number 4 out of 68. In terms of popularity, Matthäus-Passion, BWV 244, Erster Teil: 4. (Evangelist und Chorus) "Da versammleten sich die Hohenpriester", usw. is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Matthäus-Passion, BWV 244, Erster Teil: 4. (Evangelist und Chorus) "Da versammleten sich die Hohenpriester", usw. BPM
We consider the tempo marking of Matthäus-Passion, BWV 244, Erster Teil: 4. (Evangelist und Chorus) "Da versammleten sich die Hohenpriester", usw. by Johann Sebastian Bach, Collegium Vocale Gent, Franz-Joseph Selig, Philippe Herreweghe, Ian Bostridge to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Matthäus-Passion, BWV 244, Erster Teil: 4. (Evangelist und Chorus) "Da versammleten sich die Hohenpriester", usw. Key
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 54, Choral. "O Haupt voll Blut und wunden" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien | E Major | 2 | 12B | 73 BPM | |
 | Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | |
 | Concerto in D Minor: III. Presto | Alessandro Marcello, Johann Sebastian Bach, Céline Moinet, L'Arte del mondo, Werner Ehrhardt | F Major | 4 | 7B | 77 BPM | |
 | Lobe den Herrn, meine Seele (Chorus) | Johann Sebastian Bach, Katherine Fuge, Robin Tyson, Christoph Genz, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 4 | 3B | 103 BPM | |
 | Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Aria | Arts Music Recording, Rotterdam, Pieter-Jan Belder, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | |
 | Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | |
 | Matthäus Passion, Prima Parte: 20. Aria (Tenor) With Chorus: Ich Will Bei Meinem Jesu Wachen | Stephen Cleobury, Choir of King's College, Cambridge, Johann Sebastian Bach, Emma Kirkby, Rogers Covey-Crump, Michael George, Martyn Hill, Michael Chance, David Thomas | B Minor | 1 | 10A | 73 BPM | |
 | Wachet auf, ruft uns die Stimme, BWV 140: Aria Duet: Mein Freund ist mein (Soprano, Bass) | Johann Sebastian Bach, Susan Hamilton, William Kendall, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A Major | 2 | 11B | 92 BPM | |
 | Ich armer Mensch, ich Sündenknecht BWV 55 | Johann Sebastian Bach, Ton Koopman, The Amsterdam Baroque Orchestra & Opera, Johannette Zomer, Sandrine Piau, Sibylla Rubens | F♯ Minor | 1 | 11A | 144 BPM | |
 | I. Christ Lag In Todes Banden BWV 4, 8. Choral (Coro) (Versus VII): Wir Essen Und Leben Wohl | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Bas Ramselaar, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5103392601013184
End: 0.5131740570068359