Arts Music Recording, Rotterdam, Pieter-Jan Belder, Johann Sebastian Bach made "Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Aria" available on December 22, 2006. With this song being about 5 minutes long, at 5:01, "Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Aria" by Arts Music Recording, Rotterdam, Pieter-Jan Belder, Johann Sebastian Bach is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 32 in Bach Edition Vol. 3, Keyboard Works Vol. I Part: 11 by Arts Music Recording, Rotterdam. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Aria's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Aria by Arts Music Recording, Rotterdam, Pieter-Jan Belder, Johann Sebastian Bach is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
IV. Wachet! Betet! Betet! Wachet! BWV 70, Prima Parte, 1. Coro: Wachet! Betet! Betet! Wachet! | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Frank Wakelkamp, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Pieter Jan Leusink | F♯ Major | 3 | 2B | 79 BPM | ||
Missa in h-moll, BWV 232, Kyrie: II. Christe eleison | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Hana Blaziková | F♯ Major | 3 | 2B | 91 BPM | ||
Fantasia and Fuge In A Minor, A Moll BWV904: Fantasia | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | B♭ Minor | 5 | 3A | 113 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (4) Choral (Tenore): Zion Hört Die Wächter Singen | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Nico Van Der Meel, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 0 | 10B | 166 BPM | ||
I. Wo Soll Ich Fliehen Hin BWV 5, (1) Coro: Wo Soll Ich Fliehen Hin | Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Kristin Linde, Pieter Jan Leusink | F♯ Minor | 2 | 11A | 171 BPM | ||
Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Piano): II. Allegro ma non tanto | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | A Major | 1 | 11B | 140 BPM | ||
Flute Concerto in E Minor (After J.S. Bach's Geist und Seele wird verwirret, BWV 35): I. Allegro | Milan Munclinger, Johann Sebastian Bach, Jean-Pierre Rampal, Frantisek Sláma, Frantisek Posta, Josef Hála, Ars Rediviva Orchestra Of Prague | E Minor | 3 | 9A | 103 BPM | ||
Pieces de clavecin: Suite in E Minor: V. Le Rappel des Oiseaux | Jean-Philippe Rameau, Gilbert Rowland | D♭ Minor | 4 | 12A | 108 BPM | ||
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
Alcidiane: Recits Italiens chantes par Mademoiselle de la Barre et la Signora Anna Bergerotti | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 165 BPM |
Section: 0.7531678676605225
End: 0.7589070796966553