- BPM
- 73
- Key
- E Major
- Camelot
- 12B
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 54, Choral. "O Haupt voll Blut und wunden" - Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien Information
- Acousticness
- 99%
- Danceability
- 14%
- Energy
- 21%
- Instrumentalness
- 85%
- Liveness
- 32%
- Loudness
- 70%
- Speechiness
- 5%
- Valence
- 16%
- Popularity
- 15%
- Loudness
- -18.046 dB
Summary
"Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 54, Choral. "O Haupt voll Blut und wunden"" by Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien was released on January 1, 2001. The duration of Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 54, Choral. "O Haupt voll Blut und wunden" is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 54, Choral. "O Haupt voll Blut und wunden"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 54 out of 68 in Bach, JS: St Matthew Passion, BWV 244 by Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien. Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 54, Choral. "O Haupt voll Blut und wunden" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 54, Choral. "O Haupt voll Blut und wunden" BPM
The tempo marking of Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 54, Choral. "O Haupt voll Blut und wunden" by Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 54, Choral. "O Haupt voll Blut und wunden" Key
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Pergolesi: Stabat Mater: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Concentus Musicus Wien, Nikolaus Harnoncourt, Eva Mei, Marjana Lipovsek | E Minor | 0 | 9A | 78 BPM | |
 | Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro | Johann Sebastian Bach, Amsterdam Baroque Orchestra, Ton Koopman, Jos Konnings, Ku Ebbinge, Michel Garcin-Marrou, Michel Henry, Monica Huggett, Paul Dombrecht | B♭ Major | 0 | 6B | 125 BPM | |
 | I. Christ Lag In Todes Banden BWV 4, 8. Choral (Coro) (Versus VII): Wir Essen Und Leben Wohl | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Bas Ramselaar, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | |
 | Pergolesi: Stabat Mater: IX. Sancta Mater, istud agas | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | D Major | 1 | 10B | 136 BPM | |
 | Christmas Oratorio, BWV 248/1: Bereite dich, Zion (Alto) | Johann Sebastian Bach, Christian Friedrich Henrici, Marianne Beate Kielland, Alfredo Bernardini, Barokkanerne | F Major | 2 | 7B | 81 BPM | |
 | Matthäus-Passion: Zweiter Teil, 68. Chorus I & II Wir setzen uns mit Tränen nieder | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | B Minor | 3 | 10A | 81 BPM | |
 | Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Lobet Gott in seinen Reichen (Chorus) | Johann Sebastian Bach, Yukari Nonoshita, Patrick Van Goethem, Jan Kobow, Chiyuki Urano, Bach Collegium Japan, Masaaki Suzuki | F♯ Major | 1 | 2B | 77 BPM | |
 | Stabat Mater: 7. Eia Mater | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 125 BPM | |
 | Die Schöpfung (The Creation), H. 21/2: III Sequentia: Dies Irae | Nikolaus Harnoncourt | D♭ Major | 1 | 3B | 75 BPM | |
 | I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (1) Coro: Wachet Auf, Ruft Uns Die Stimme | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Johann Sebastian Bach, Sytse Buwalda, Nico Van Der Meel, Pieter Jan Leusink | D Major | 1 | 10B | 86 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6185574531555176
End: 0.6260058879852295