"Pergolesi: Stabat Mater: I. Stabat mater dolorosa" by Giovanni Battista Pergolesi, Concentus Musicus Wien, Nikolaus Harnoncourt, Eva Mei, Marjana Lipovsek was released on January 1, 1994. With this song being about 5 minutes long, at 5:06, "Pergolesi: Stabat Mater: I. Stabat mater dolorosa" by Giovanni Battista Pergolesi, Concentus Musicus Wien, Nikolaus Harnoncourt, Eva Mei, Marjana Lipovsek is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vivaldi : Gloria & Pergolesi : Stabat Mater by Nikolaus Harnoncourt, Concentus Musicus Wien. The song's track number on the album is #13 out of 24 tracks. Based on our data, Germany was the country where this track was produced or recorded. Pergolesi: Stabat Mater: I. Stabat mater dolorosa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Pergolesi: Stabat Mater: I. Stabat mater dolorosa by Giovanni Battista Pergolesi, Concentus Musicus Wien, Nikolaus Harnoncourt, Eva Mei, Marjana Lipovsek has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Pergolesi: Stabat Mater: I. Stabat mater dolorosa being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah, HWV 56: Part 2: Why do the nations so furiously rage together? (Bass) | Nikolaus Harnoncourt | F♯ Major | 5 | 2B | 137 BPM | ||
Rinaldo, HWV 7a: Cara sposa (Air de Rinaldo) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Minor | 0 | 12A | 116 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
Fauré: Requiem, Op. 48: IV. Pie Jesu | Gabriel Fauré, Michel Corboz, Ensemble Instrumental de Lausanne, Ensemble Vocal de Lausanne, Magali Dami | G Major | 0 | 9B | 109 BPM | ||
Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | ||
4 Letzte Lieder (4 Last Songs), TrV 296: No. 4. Im Abendrot | Richard Strauss, Soile Isokoski, Berlin Rundfunkorchester, Marek Janowski | E♭ Major | 0 | 5B | 89 BPM | ||
Die Jahreszeiten (The Seasons), Hob. XXI:3: Der Herbst: 24. Aria: Allegro - "Seht auf die breiten Wiesen hin!" | Joseph Haydn, Nikolaus Harnoncourt, Concentus Musicus Wien | A Minor | 2 | 8A | 130 BPM | ||
Stabat Mater: I. Stabat Mater dolorosa | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | D♭ Major | 1 | 3B | 126 BPM | ||
Puccini: Tosca, Act 2: "Vissi d'arte, vissi d'amore" (Tosca) | Giacomo Puccini, Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 90 BPM | ||
Purcell : King Arthur : Act 5 "Fairest Isle" [Soprano] | William Christie | A♭ Major | 0 | 4B | 127 BPM |
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