"Stabat Mater: I. Stabat Mater dolorosa" by Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic was released on July 26, 2000. With Stabat Mater: I. Stabat Mater dolorosa being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 20 in Caldara: Missa Dolorosa / Stabat Mater / Sinfonias in G and E Minor by Antonio Caldara, Swiss-Italian Radio Chorus, Rene Clemencic. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Stabat Mater: I. Stabat Mater dolorosa's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat Mater: I. Stabat Mater dolorosa by Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Balletti a 6: III. Amener | Heinrich Ignaz Franz von Biber, Clemencic Consort, Rene Clemencic | C Major | 2 | 8B | 72 BPM | ||
Clamans in deserto - Quant vient en mai - Johanne | Anonymous, Eric Mentzel, Dominique Visse, Clemencic Consort, Edmund Brownless, Colin Scott Mason, Rene Clemencic | F Major | 4 | 7B | 72 BPM | ||
Gloria in D Major, RV 589: 1. Gloria in excelsis | Antonio Vivaldi, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | D♭ Major | 3 | 3B | 128 BPM | ||
La Foire de Toulouse | Rene Clemencic | D Major | 10 | 10B | 124 BPM | ||
Le Triomphe de la République ou Le Camp de Grand Pré, Scene 4: In our youth… (Old Men, Laurette, Mayor, Women, Children) | Francois-Joseph Gossec, Diego Fasolis, I Barocchisti, Philippe Huttenlocher, Salomé Haller, Arnaud Marzorati, Swiss Radio Choir, Coro Calicantus, Mario Fontana | C Major | 1 | 8B | 75 BPM | ||
Il giardino di rose: "Mentre io godo" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 111 BPM | ||
Magnificat in D Major, BWV 243: I. Magnificat anima mea Dominum | Johann Sebastian Bach, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | A Minor | 2 | 8A | 137 BPM | ||
Requiem, K. 626: Hostias | Wolfgang Amadeus Mozart, Stephen Cleobury, Choir of King's College, Cambridge, Academy of Ancient Music | E♭ Major | 1 | 5B | 96 BPM | ||
Axe Phebus Aurea, CB 71 | Anonymous, Clemencic Consort, Rene Clemencic | D Major | 0 | 10B | 66 BPM | ||
2 Turkish love songs | Giovanni Battista Donado, Esmail Vasseghi, Rene Clemencic, Kecskes Ensemble, Bakfark Balint Lute Trio, Andras Kecskes | A Minor | 3 | 8A | 126 BPM |
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