"Requiem, K. 626: Hostias" by Wolfgang Amadeus Mozart, Stephen Cleobury, Choir of King's College, Cambridge, Academy of Ancient Music was released on November 25, 2019. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 55 in A Requiem for Stephen: Into a Greater Light by Stephen Cleobury, Choir of King's College, Cambridge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Requiem, K. 626: Hostias is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, K. 626: Hostias by Wolfgang Amadeus Mozart, Stephen Cleobury, Choir of King's College, Cambridge, Academy of Ancient Music is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Frescobaldi: Messa sopra l'aria della monica: III. Credo | Girolamo Frescobaldi, Choir of King's College, Cambridge, Stephen Cleobury | G Minor | 1 | 6A | 76 BPM | ||
Psalm 23 (The Lord is my shepherd) | John Goss, Stephen Cleobury, Choir of King's College, Cambridge | E Major | 2 | 12B | 83 BPM | ||
St. John Passion, BWV 245, Pt. II: No. 40. Ach Herr, lass dein lieb Engelein (Chorale) - Live | Johann Sebastian Bach, Stephen Cleobury, Choir of King's College, Cambridge, Academy of Ancient Music | D Major | 2 | 10B | 77 BPM | ||
An English Mass: VI. Agnus Dei | Herbert Howells, Choir of King's College, Cambridge, Stephen Cleobury, Britten Sinfonia, Henry Websdale | E Major | 0 | 12B | 88 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe": Jesu Christe | Wolfgang Amadeus Mozart, Camilla Tilling, Sarah Connolly, Timothy Robinson, Neal Davies, Gabrieli, Paul McCreesh | C Major | 3 | 8B | 93 BPM | ||
Rinaldo, HWV 7b: Act I Scene 7: Aria: Cara sposa, amante cara, dove sei? (Rinaldo) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 92 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Requiem in C Minor, MH 559: Kyrie | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | C Minor | 2 | 5A | 78 BPM | ||
Die Zauberflöte, K. 620 / Erster Aufzug: "Dies Bildnis ist bezaubernd schön" | Wolfgang Amadeus Mozart, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | E♭ Major | 1 | 5B | 94 BPM | ||
Requiem, Op. 48: II. Kyrie | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | B♭ Major | 1 | 6B | 65 BPM |
Section: 1.1596050262451172
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