"Requiem In D Minor, K. 626: Sequence: III. Rex Tremendae Majestatis" by Slovak Philharmonic, Magdaléna Hajóssyová, Jozef Kundlák, Slovak Philharmonic Chorus, Peter Mikulas, Jaroslava Horska, Stefan Klimo, Vladimir Ruso, Wolfgang Amadeus Mozart was released on April 15, 1989. The duration of Requiem In D Minor, K. 626: Sequence: III. Rex Tremendae Majestatis is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Requiem In D Minor, K. 626: Sequence: III. Rex Tremendae Majestatis's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Slovak Philharmonic's "Mozart: Requiem In D Minor" album is number 5 out of 14. On top of that, Hong Kong appears to be the country where this track was created. Requiem In D Minor, K. 626: Sequence: III. Rex Tremendae Majestatis is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem In D Minor, K. 626: Sequence: III. Rex Tremendae Majestatis by Slovak Philharmonic, Magdaléna Hajóssyová, Jozef Kundlák, Slovak Philharmonic Chorus, Peter Mikulas, Jaroslava Horska, Stefan Klimo, Vladimir Ruso, Wolfgang Amadeus Mozart to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Four Seasons - Winter in F Minor, RV. 297: III. Allegro – Lento – Allegro | Antonio Vivaldi, Adrian Chandler, La Serenissima | F Minor | 2 | 4A | 95 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Requiem: I. Requiem Aeternam | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | A Minor | 0 | 8A | 85 BPM | ||
Mozart: Sinfonia concertante for Violin and Viola in E-Flat Major, K. 364: II. Andante | Wolfgang Amadeus Mozart, Renaud Capuçon, Antoine Tamestit, Louis Langrée, Scottish Chamber Orchestra | C Minor | 1 | 5A | 91 BPM | ||
Symphony No. 3 in C Major, Op 78 'Organ': III. Maestoso, Allegro | Camille Saint-Saëns, Libor Pešek, Slovak Philharmonic, Ivan Sokol | F Minor | 1 | 4A | 113 BPM | ||
Dies Irae | Giuseppe Verdi, Sir Georg Solti, Chicago Symphony Orchestra | G Major | 6 | 9B | 78 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
An American in Paris | George Gershwin, Libor Pešek, Slovak Philharmonic | B♭ Major | 1 | 6B | 82 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
De profundis | Antonio Salieri, West German Radio Chorus, West German Radio Symphony Orchestra, Helmut Froschauer | F Minor | 1 | 4A | 77 BPM |
Section: 0.6455755233764648
End: 0.6490645408630371