"Requiem: I. Requiem Aeternam" by Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea was released on August 24, 2009. Since Requiem: I. Requiem Aeternam is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Verdi: Requiem by Giuseppe Verdi, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis. The song's track number on the album is #1 out of 17 tracks. Requiem: I. Requiem Aeternam is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Requiem: I. Requiem Aeternam by Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Requiem: I. Requiem Aeternam being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Otello / Act 1: "Esultate!" | Giuseppe Verdi, Luciano Pavarotti, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 3 | 10B | 134 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Part I, Hymnus. Veni, Creator Spiritus! | Gustav Mahler, Leonard Bernstein, London Symphony Orchestra | A♭ Major | 3 | 4B | 63 BPM | ||
La forza del destino, Act IV, Scene II: Non imprecare; umiliati | Giuseppe Verdi, Riccardo Zanellato, Dinara Alieva, Andrea Bocelli, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | A♭ Major | 2 | 4B | 87 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 "Scottish": 1. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | A Minor | 2 | 8A | 78 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Masquerade - Ballet Suite: 3. Mazurka | Aram Khachaturian, London Symphony Orchestra, Stanley Black | A♭ Major | 3 | 4B | 94 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.3 Song with Chorus: "Bunte Schlangen, zweigezüngt" | Felix Mendelssohn, Jennifer Vyvyan, Marion Lowe, Female Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Peter Maag | A Major | 1 | 11B | 88 BPM | ||
Psaume 24. La terre appartient a l'Eternel | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic, Neil MacKenzie, City of Birmingham Symphony Chorus | E Minor | 2 | 9A | 83 BPM | ||
Das Lied von der Erde: Das Trinklied vom Jammer der Erde | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | G Minor | 2 | 6A | 78 BPM |
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