"Das Lied von der Erde: Das Trinklied vom Jammer der Erde" by Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez was released on December 20, 2000. Since Das Lied von der Erde: Das Trinklied vom Jammer der Erde is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Mahler, Violeta Urmana, Michael Schade, Wiener Philharmoniker, Pierre Boulez's "Mahler: Das Lied von der Erde" album is number 1 out of 6. Das Lied von der Erde: Das Trinklied vom Jammer der Erde is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Das Lied von der Erde: Das Trinklied vom Jammer der Erde by Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
Messa da Requiem: 2. Dies irae | Giuseppe Verdi, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus, Chorus of the Sofia National Opera, Walter Hagen-Groll | C Minor | 5 | 5A | 78 BPM | ||
Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | ||
Lohengrin, WWV 75 / Act I: Wenn ich im Kampfe für dich siege | Richard Wagner, Siegfried Jerusalem, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 96 BPM | ||
Les Noces, Scene 1: The Tresses (At the Bride's House) [the Wedding] | Susan Bickley, Martyn Hill, Alan Ewing, Alison Wells, Simon Joly Chorale, International Piano Quartet, Tristan Fry Percussion Ensemble, Robert Craft | E Major | 2 | 12B | 118 BPM | ||
Annen-Polka, Op. 117 | Johann Strauss II, Wiener Philharmoniker, Karl Böhm | E♭ Major | 3 | 5B | 142 BPM | ||
Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 85 BPM | ||
Die Fledermaus / Act 1: "Mein Herr, was dächten Sie von mir" | Johann Strauss II, Kiri Te Kanawa, Richard Leech, Tom Krause, Wiener Philharmoniker, André Previn | G Major | 1 | 9B | 131 BPM | ||
Symphonic Metamorphoses on Themes of Carl Maria von Weber: III. Andantino | Paul Hindemith, Leonard Bernstein, New York Philharmonic | F Minor | 1 | 4A | 84 BPM | ||
Il Trovatore / Act 1: "All'erta! all'erta!" - Live | Giuseppe Verdi, Nicola Zaccaria, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus, Kammerchor der Salzburger Festspiele, Roberto Benaglio | B♭ Major | 3 | 6B | 99 BPM |
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