"Symphonic Metamorphoses on Themes of Carl Maria von Weber: III. Andantino" by Paul Hindemith, Leonard Bernstein, New York Philharmonic was released on November 2, 2018. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Leonard Bernstein's "Hindemith: Symphonic Metamorphoses & Concert Music, Op. 50 - Honegger: Pacific 231 & Rugby & Pastorale d'été" album is number 3 out of 13. Symphonic Metamorphoses on Themes of Carl Maria von Weber: III. Andantino is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphonic Metamorphoses on Themes of Carl Maria von Weber: III. Andantino by Paul Hindemith, Leonard Bernstein, New York Philharmonic to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kammermusik No.2, Op.36 No.1 for Piano and Chamber Orchestra: Finale: Schnelle Viertel | Paul Hindemith, Ronald Brautigam, Concertgebouworkest, Riccardo Chailly | D♭ Major | 3 | 3B | 88 BPM | ||
Symphony No. 1 in F Minor, Op. 10: II. Allegro - Meno mosso - Live | Dmitri Shostakovich, Chicago Symphony Orchestra, Leonard Bernstein | A Minor | 0 | 8A | 85 BPM | ||
Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 125 BPM | ||
Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | A Major | 0 | 11B | 139 BPM | ||
Le carnaval des animaux, R. 125: 5. L'Élephant | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | B♭ Major | 1 | 6B | 139 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso - Live | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | B Major | 0 | 1B | 85 BPM | ||
Music for the Royal Fireworks (Excerpts): 1. Ouverture | George Frideric Handel, New York Philharmonic, Pierre Boulez | D Major | 4 | 10B | 130 BPM | ||
Billy the Kid Suite: VIII. The Open Prairie Again | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 72 BPM | ||
Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 59 BPM | ||
String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile (Version for String Orchestra) | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | B♭ Major | 1 | 6B | 93 BPM |
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