"Symphony No. 1 in F Minor, Op. 10: II. Allegro - Meno mosso - Live" by Dmitri Shostakovich, Chicago Symphony Orchestra, Leonard Bernstein was released on January 1, 1989. With this song being about 5 minutes long, at 4:47, "Symphony No. 1 in F Minor, Op. 10: II. Allegro - Meno mosso - Live" by Dmitri Shostakovich, Chicago Symphony Orchestra, Leonard Bernstein is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Shostakovich: Symphonies Nos.1 & 7 "Leningrad"". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Symphony No. 1 in F Minor, Op. 10: II. Allegro - Meno mosso - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 1 in F Minor, Op. 10: II. Allegro - Meno mosso - Live by Dmitri Shostakovich, Chicago Symphony Orchestra, Leonard Bernstein having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Konzertmusik für Streichorchester und Blechbläser, Op. 50: Mäßig schnell, mit Kraft | Paul Hindemith, Leonard Bernstein, New York Philharmonic | D Minor | 3 | 7A | 88 BPM | ||
The Firebird Suite (1919 Version): V. Infernal Dance of King Kashchei | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A Major | 4 | 11B | 164 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato | Dmitri Shostakovich, André Previn, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Symphony No. 3 In A Minor, Op. 56, MWV N 18 - "Scottish": 4b. Finale - Allegro maestoso assai | Felix Mendelssohn, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 4 | 11B | 105 BPM | ||
Much ado about nothing - Incidental Music: No. 3 Dogberry and Verges | Erich Wolfgang Korngold, Gil Shaham, André Previn | G Major | 1 | 9B | 110 BPM | ||
Symphony No. 9 in D Major: Ib. Etwas Frischer | Gustav Mahler, Leonard Bernstein, New York Philharmonic | F Minor | 0 | 4A | 86 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 3. Rondo. Allegro - Live | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | E♭ Major | 2 | 5B | 129 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Variations on a Theme by Haydn, Op. 56a: Theme: "Chorale St. Antoni" | Johannes Brahms, Chicago Symphony Orchestra, Sir Georg Solti | C Major | 1 | 8B | 80 BPM |
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