Paul Hindemith, Leonard Bernstein, New York Philharmonic's 'Konzertmusik für Streichorchester und Blechbläser, Op. 50: Mäßig schnell, mit Kraft' came out on November 2, 2018. With this song being about 5 minutes long, at 5:11, "Konzertmusik für Streichorchester und Blechbläser, Op. 50: Mäßig schnell, mit Kraft" by Paul Hindemith, Leonard Bernstein, New York Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Leonard Bernstein's "Hindemith: Symphonic Metamorphoses & Concert Music, Op. 50 - Honegger: Pacific 231 & Rugby & Pastorale d'été" album is number 5 out of 13. Konzertmusik für Streichorchester und Blechbläser, Op. 50: Mäßig schnell, mit Kraft is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Konzertmusik für Streichorchester und Blechbläser, Op. 50: Mäßig schnell, mit Kraft by Paul Hindemith, Leonard Bernstein, New York Philharmonic to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Sonata in E-Flat Major, Op. 120, No. 2: I. Allegro amabile | Johannes Brahms, Martin Fröst, Roland Pöntinen | E♭ Major | 0 | 5B | 98 BPM | ||
Phantasy Quintet: I. Prelude | Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones | F Major | 0 | 7B | 86 BPM | ||
La mer, L. 109: III. Dialogue of the Wind and the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 78 BPM | ||
Humoresque No. 1 in D Minor, Op. 87 | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 94 BPM | ||
Sonata "Undine" Op. 167 for Flute and Piano: I. Allegro | Carl Reinecke, Jasmine Choi | E Minor | 1 | 9A | 108 BPM | ||
Gli uccelli (The Birds), P. 154: II. La colomba: Andante expressivo | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | F♯ Minor | 1 | 11A | 123 BPM | ||
Plöner Musiktag: Abendkonzert: II. Flötensolo mit Streichern for Flute and Strings | Paul Hindemith, Stathis Karapanos, Schleswig-Holstein Festival Orchestra, Christoph Eschenbach | F Minor | 0 | 4A | 75 BPM | ||
Nocturnes, L. 91: 2. Fêtes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 79 BPM | ||
Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst | F♯ Minor | 0 | 11A | 97 BPM | ||
Suite d'orchestre dans le style ancien, Op. 2: I. Française. Allegro giocoso | Albéric Magnard, Philharmonisches Orchester Freiburg, Fabrice Bollon | E♭ Major | 1 | 5B | 174 BPM |
Section: 1.140805959701538
End: 1.1450247764587402