"Phantasy Quintet: I. Prelude" by Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones was released on January 1, 1989. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vaughan Williams: The String Quartets & Phantasy Quintet by Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones. The song's track number on the album is #1 out of 12 tracks. Phantasy Quintet: I. Prelude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Phantasy Quintet: I. Prelude by Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Phantasy Quintet: I. Prelude being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Enigma Variations: Variation XI. G.R.S - Allegro di molto | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | D Major | 2 | 10B | 164 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
Symphony No. 1 in D Major "Titan": II. Kräftig Bewegt, Doch Nicht Zu Schnell - Trio: Recht Gemächlich - Tempo Primo | Gustav Mahler, Valery Gergiev, London Symphony Orchestra | A Minor | 0 | 8A | 67 BPM | ||
Phantasy Quintet: I. Prelude | Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones | F Major | 0 | 7B | 86 BPM | ||
Romance for Strings, Piano and Harmonica | Ralph Vaughan Williams, Tommy Reilly, Academy of St. Martin in the Fields, Sir Neville Marriner | D♭ Major | 1 | 3B | 62 BPM | ||
Taras Bulba: 1. The Death Of Andri | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | B Major | 1 | 1B | 84 BPM | ||
Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM | ||
Tavener: The Protecting Veil, for Cello and Strings: IV. The Incarnation | John Tavener, Steven Isserlis, Gennady Rozhdestvensky, London Symphony Orchestra | F Major | 2 | 7B | 93 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Violin Concerto in A minor, Op. 82: 2. Andante | Alexander Glazunov, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 1 | 3B | 78 BPM |
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