"Gli uccelli (The Birds), P. 154: II. La colomba: Andante expressivo" by Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio was released on May 6, 2014. With this song being about 5 minutes long, at 4:42, "Gli uccelli (The Birds), P. 154: II. La colomba: Andante expressivo" by Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Respighi: Suite in G Major, P. 58, Trittico botticelliano, The Birds, & Serenata". In this album, this song's track order is #6. Based on our statistics, Gli uccelli (The Birds), P. 154: II. La colomba: Andante expressivo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gli uccelli (The Birds), P. 154: II. La colomba: Andante expressivo by Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Copland: Symphony No. 3: III. Andantino quasi allegretto - | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 71 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Major | 3 | 6B | 144 BPM | ||
Pelléas et Mélisande, Op.80: 1. Prélude | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 134 BPM | ||
Symphony In D Minor: 2. Allegretto | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: I. Preludium. Allegro moderato | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Major | 1 | 10B | 81 BPM | ||
Symphony No. 1 in D Minor, Op. 13: III. Larghetto | Sergei Rachmaninoff, Philadelphia Orchestra, Yannick Nézet-Séguin | C Minor | 0 | 5A | 95 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Serenade For Strings, Op.11 | Dag Wirén, Johannes Somary, English Chamber Orchestra | C Major | 1 | 8B | 126 BPM | ||
Cello Concerto in E Minor: II. Andante sostenuto | Aram Khachaturian, Dmitry Yablonsky, The Moscow City Symphony Orchestra "Russian Philharmonic", Maxim Fedotov | G Major | 1 | 9B | 96 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM |
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