"6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point"" by Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham was released on May 10, 2019. With 6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 16 in Folk Tales by Gerald Peregrine, Antony Ingham. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, 6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" by Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The House of Life: Silent Noon | Ralph Vaughan Williams, Anthony Rolfe Johnson, Graham Johnson, Simon Keenlyside, Duke Quartet | G Major | 1 | 9B | 92 BPM | ||
6 Piano Pieces, Op.118: 2. Intermezzo In A Major | Johannes Brahms, Radu Lupu | D Minor | 0 | 7A | 135 BPM | ||
Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 105 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
Trois Romances sans paroles, Op. 17: 3. Andante moderato | Gabriel Fauré, Kun-Woo Paik | A♭ Major | 0 | 4B | 65 BPM | ||
Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
4 Lyric Pieces, Op. 74: No. 2 Sanfter Westwind (Gentle West Wind) | Jean Sibelius, Håvard Gimse | F♯ Major | 0 | 2B | 78 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
2 Pieces for Strings from Henry V: No. 1. Passacaglia: Death of Falstaff | William Walton, English Chamber Orchestra, Julian Lloyd Webber | E Minor | 1 | 9A | 86 BPM |
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