"Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern" by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1995. The duration of Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern is about 3 minutes long, at 3:28. Based on our data, "Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Strauss, R.: Also sprach Zarathustra; Till Eulenspiegel; Don Juan; Salome's Dance Of The Seven Veils". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Rite of Spring, Part 2: VI. Sacrificial Dance | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | D Minor | 5 | 7A | 139 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 0 | 8B | 97 BPM | ||
Má Vlast, JB1:112: 2. Vltava | Bedřich Smetana, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 78 BPM | ||
Piano Concerto No. 3 in C Major, Op. 26: 2. Tema con variazioni | Sergei Prokofiev, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 80 BPM | ||
La bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 83 BPM | ||
Elektra: Xxi. Ich glaube ich war schön | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Gunnar Lundberg, Royal Swedish Opera Orchestra, Siegfried Köhler | D♭ Major | 5 | 3B | 118 BPM | ||
Strauss, R / Arr. Prihoda for Violin and Piano: Stimmungsbilder, Op. 9: No. 2, An einsamer Quelle | Richard Strauss, Renaud Capuçon, Jerome Ducros | E♭ Major | 3 | 5B | 100 BPM | ||
Carmen: Overture | Georges Bizet, Herbert von Karajan, Wiener Philharmoniker | D Minor | 4 | 7A | 126 BPM | ||
Suite No. 3 in D, BWV 1068: 2. Air | Johann Sebastian Bach, David Bell, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 173 BPM | ||
Pictures At An Exhibition: Promenade - 1 | Modest Mussorgsky, Berliner Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 80 BPM |
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