Richard Strauss, Renaud Capuçon, Jerome Ducros made "Strauss, R / Arr. Prihoda for Violin and Piano: Stimmungsbilder, Op. 9: No. 2, An einsamer Quelle" available on April 6, 2007. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 21 in Capriccio - Works for Violin and Piano [Digital version] by Renaud Capuçon. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Strauss, R / Arr. Prihoda for Violin and Piano: Stimmungsbilder, Op. 9: No. 2, An einsamer Quelle is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Strauss, R / Arr. Prihoda for Violin and Piano: Stimmungsbilder, Op. 9: No. 2, An einsamer Quelle by Richard Strauss, Renaud Capuçon, Jerome Ducros is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thème de l’absence (From "Joyeux Noël") | Renaud Capuçon, Les Siècles, Duncan Ward | D Major | 2 | 10B | 83 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: II. Sonnenaufgang | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | A Major | 6 | 11B | 68 BPM | ||
Symphonie Espagnole In D Minor, Op. 21: 2. Scherzando (Allegro molto) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 1 | 9B | 105 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 8. W.N. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 84 BPM | ||
Ariadne auf Naxos, Op.60 / Opera: Ein Schönes war: hiess Theseus - Ariadne | Richard Strauss, Deborah Voigt, Eva Kirchner, Natalie Dessay, Christiane Hossfeld, Andris Liepa, Stephan Genz, Ian Thompson, Sami Luttinen, Staatskapelle Dresden, Giuseppe Sinopoli | F Minor | 1 | 4A | 84 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Jascha Heifetz, Walter Hendl | B♭ Major | 2 | 6B | 101 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Ne zazhigy ognya !, Op. 38, No. 3 | Anton Arensky, Mischa Maisky, Pavel Gililov | F Major | 0 | 7B | 93 BPM | ||
Love Story | Renaud Capuçon, Les Siècles, Duncan Ward | A Minor | 1 | 8A | 69 BPM |
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